Samara (2022) for string quartet

A samara is a type of seed pod with flattened, fibrous wings. Its shape not only allows for seed dispersal by wind, but also offers children a source of enjoyment in autumn. I recall playing with these “helicopters” during childhood, acting like the wind that initiates a seed’s journey. Thus, I began writing Samara to reconnect with this sense of simple joy, curiosity, and wonder. In pursuit of this childlikeness, the imagined landscape comes into focus, evolving from fragile, foggy textures and colors (such as pizzicato harmonics) to clearer ones (such as arco gestures). The primary melody bears a certain rhythmic fluidity, as if floating, and later experiences an entropic development. Reflective of a turbulent wind that impacts the trajectory of a seed, the texture and harmony spiral to a point of intensity, ultimately losing clarity of pitch. The short-lived connection to the inner child fades, as a harmonic reminiscence of the primary melody dissolves into another pizzicato texture.

This piece was written for the UMKC Graduate Fellowship String Quartet, during my composition residency in spring of 2022. My sincerest gratitude to the ensemble for this collaborative opportunity.